LC College

Rachmaninoff’s Vocalise and Alexandre Cabanel’s The Fallen Angel

For this comparative essay, I have chosen Sergei Rachmaninoff’s Vocalise Op. 34 No. 14, published in 1915, and Alexandre Cabanel’s The Fallen Angel, painted in 1847. Firstly, Cabanel’s work is a blend of emotion and passion that captures the exact moment of Lucifer’s expulsion from Heaven. This Romantic work differs from previous depictions of this

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Storytelling en Crónica de una Muerte Anunciada de Gabriel García Márquez

Muy estimado Gabriel García Márquez. Reciba un cordial saludo esperando se encuentre bien. Hay muchas maneras de contar historias, especialmente aquellas donde el misterio, el crimen y el suspenso destilan de los márgenes del libro. Sin embargo, querido Gabriel, Crónica de una muerte anunciada redefine, en todo el sentido de la palabra, el arte de

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Comparación de Comentarios en la Segunda Carta a Timoteo

Introducción Al llegar la hora de partir de este mundo a la Patria Celestial, San Pablo escribe desde su encarcelamiento en Roma a su querido hijo espiritual Timoteo. Este libro del Nuevo Testamento, más allá de ser un tratado teológico es una carta de exhortación y despedida, acompañada de un breve pero rico testamento espiritual,

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Wolfgang Amadeus Mozart’s Das Veilchen (K. 476) and Jean-Léon Gérôme’s Pygmalion and Galatea

For this comparative essay, I chose Wolfgang Amadeus Mozart’s Das Veilchen (K. 476), composed in 1785, and Jean-Léon Gérôme’s Pygmalion and Galatea (1890). Firstly, Gérôme’s painting is both dramatic and romantic. This artwork presents an artist’s workshop where the sculptor passionately embraces his marble statue, which is brought to life through divine power or magic.

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MET Museum Report

“Coming back home after being in The MET Museum I was so impressed because I found myself contemplating some of the paintings that I had been studying in college, or paintings that I have prayed with. But I hadn’t seen them before personally and one of these is this painting called Christ Carrying the Cross

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