
Wolfgang Amadeus Mozart’s Das Veilchen (K. 476) and Jean-Léon Gérôme’s Pygmalion and Galatea
For this comparative essay, I chose Wolfgang Amadeus Mozart’s Das Veilchen (K. 476), composed in 1785, and Jean-Léon Gérôme’s Pygmalion and Galatea (1890). Firstly, Gérôme’s painting is both dramatic and romantic. This artwork presents an artist’s workshop where the sculptor passionately embraces his marble statue, which is brought to life