Fr. Andreas Kramarz, LC, Ph.D.

Fr. Andreas was born in Düsseldorf, Germany, and grew up in Aachen. He obtained the Diplom in Catholic Theology and his First State Examination in German Language and Literature (Westfälische Wilhelms Universität Münster, 1992 and 1993 respectively). He spent two semesters (1989/1990) of his theological studies with the Theological Year of Studies at the Dormition Abbey in Jerusalem, Israel. From 1993 to 1994, he worked nursing at the hospice Haus Hörn in Aachen, Germany.

After joining the Legionaries of Christ in 1994, he studied humanities in Salamanca, Spain, and in 1999 he received a Licenza (M.A.) in Philosophy at the Pontifical Regina Apostolorum College in Rome, Italy. A priest since 2003, he was named Dean of Studies at the Legion of Christ College in 2009 after having taught at the same college courses in Latin, Greek, History, Art, and Music. In addition, he serves as a spiritual director, confessor, and choir director for the seminary. In 2013, he earned his Ph.D. in Classical Civilization at the University of Florida.

• Forthcoming. "Christian Reception of the ‘New-Music’ Debate in the Church Fathers and Clement of Alexandria" (for Greek and Roman Musical Studies)
• 2017. "Is the Idea of 'Musical Emotion' Present in Antiquity?" Greek and Roman Musical Studies 5: 1-17.
• 2016. The Power and Value of Music. Its Effect and Ethos in Classical Authors and Contemporary Music Theory. Medieval Interventions: New Light on Traditional Thinking, vol. 1. New York/Frankfurt: Peter Lang. A video about this book can be watched here.
• 2013. Effect and Ethos of Music in Greek and Roman Authors: Exposition and Evaluation. Dissertation Thesis. Gainesville: University of Florida.
• 2008: Demosthenes 21: Against Meideias — Construction and Deconstruction in Forensic Speech. Paper published on academia.edu.
• 2000. "El ‘medio’ en Platón y en Aristóteles. Un acercamiento para redescubrir un principio filosófico.” Il Cannocchiale; 3/2000: 77-118. Accessible on academia.edu.
• Translation guides and commentaries (published on academia.edu):
  • Midas and the Golden Touch (Ovid, Met. XI, 85-145).
  • The Harmony of the Spheres (Cicero, De re publica VI, 18-19).
  • Catullus Carm. 1 and 31.
• Miscellaneous Articles:
  • The Shakespeare Code. National Catholic Register, May 8, 2006.
  • Christ on Mussel Silk. National Catholic Register, November 8, 2006.
  • Benedict's Mozart. National Catholic Register, September 18, 2007.
  • When the Angels Sing Along: What Pope Benedict hears when he listens to — or performs — his favorite compositions by Bach and Mozart. National Catholic Register, April 8, 2008.
  • The Historical Shakespeare. National Catholic Register, June 17, 2008.

• "Is the Idea of 'Musical Emotion' Present in Antiquity?" for the MOISA panel on January 7, 2016, at the 147th Annual Meeting of the Society of Classical Studies in San Francisco, CA.
• "Sounds that Get You Moving: Philosophical and Psychological Considerations on Music and the Emotions" on September 8, 2016, at the International Theological Institute (ITI) in Trumau, Austria.
• "Christian Reception of the 'New Music'-Debate: Similarities and Differences in the Musical Criticism of the Church Fathers" on Sunday, July 30, 2017, at the 10th MOISA Meeting at Jesus College, Oxford, UK.
• "What Brought the Walls of Jericho Down?" for the MOISA panel on January 5, 2018, at the 149th Annual Meeting of the Society of Classical Studies in Boston, MA.