Fr. Andreas Kramarz LC, Ph.D.

Born in Düsseldorf, Germany, in 1968, Fr. Andreas grew up in Aachen. He obtained the Diplom (U.S. equivalent: S.T.M.) in Catholic Theology and his First State Examination (Staatsexamen; U.S. equivalent: M.A.) in German Language and Literature (Westfälische Wilhelms Universität Münster, 1992 and 1993 respectively). He spent two semesters (1989/1990) of his theological studies with the Theological Year of Studies at the Dormition Abbey in Jerusalem, Israel. From 1993 to 1994, he worked nursing at the hospice Haus Hörn in Aachen, Germany.

After joining the Legionaries of Christ in 1994, he studied humanities for one year in Salamanca, Spain (1996-1997), and in 1999 he received a Licenza (M.A.) in Philosophy at the Pontifical Regina Apostolorum College in Rome, Italy. A priest since 2003, he was  Dean of Studies at the College from 2009 to 2019 after having taught courses in Latin, Greek, History, Art, and Music. 

In 2013, Fr. Andreas earned his Ph.D. in Classical Civilization at the Classics Department of the University of Florida. At present, he teaches Western Civilization, Music Theory and History, and Chant. In addition, he serves as a spiritual director, confessor, and choir director for the seminary. He is a member of the Society of Classical Studies, the International Society for the Study of Greek and Roman Music and Its Cultural Heritage (MOISA), and the Society for Christian Scholarship in Music.

• Forthcoming (2020): "Music and the Divine: Introductory Remarks to the MOISA Panel at the SCS Meeting in January 2019" (Greek and Roman Musical Studies 8.1: 91-96).
• 2019. "Sounds of War: What Brought the Walls of Jericho Down?" Greek and Roman Musical Studies 7.2: 250-269.
• 2018. "Christian Reception of the ‘New-Music’ Debate in the Church Fathers and Clement of Alexandria." Greek and Roman Musical Studies 6.2: 359-378.
• 2017. "Is the Idea of 'Musical Emotion' Present in Antiquity?" Greek and Roman Musical Studies 5.1: 1-17.
• 2016. The Power and Value of Music. Its Effect and Ethos in Classical Authors and Contemporary Music Theory. Medieval Interventions: New Light on Traditional Thinking, vol. 1. New York/Frankfurt: Peter Lang. A video about this book can be watched here.
• 2013. Effect and Ethos of Music in Greek and Roman Authors: Exposition and Evaluation. Dissertation Thesis. Gainesville: University of Florida (doctoral thesis).
• 2008: Demosthenes 21: Against Meideias — Construction and Deconstruction in Forensic Speech. Paper published on academia.edu.
• 2008: Slavery in the Athenian Democracy. Paper published on academia.edu.
• 2000. "El ‘medio’ en Platón y en Aristóteles. Un acercamiento para redescubrir un principio filosófico.” Il Cannocchiale; 3/2000: 77-118. Accessible on academia.edu.
• Translation guides and commentaries (published on academia.edu):
  • Midas and the Golden Touch (Ovid, Met. XI, 85-145).
  • The Harmony of the Spheres (Cicero, De re publica VI, 18-19).
  • Catullus Carm. 1 and 31.
• Miscellaneous Articles:
  • The Historical Shakespeare. National Catholic Register, June 17, 2008.
  • When the Angels Sing Along: What Pope Benedict hears when he listens to — or performs — his favorite compositions by Bach and Mozart. National Catholic Register, April 8, 2008.
  • Benedict's Mozart. National Catholic Register, September 18, 2007.
  • Die Schönheit Jesu. Der Christ hat kein theoretisches Tugendideal vor Augen, sondern einen lebendigen Menschen. Vatican 1.5 (December 2006), 42-46.
  • Christ on Mussel Silk. National Catholic Register, November 8, 2006.
  • The Shakespeare Code. National Catholic Register, May 8, 2006.

• "Musical Ethos and Rhythm in Ancient Musical Thought" for a panel titled "On the Power of Music from Plato to Augustine: Ethos, Virtue, and the Temporal Structure of Desire," on February 16 at the 2019 Annual Meeting of the Society for Christian Scholarship in Music at St. Michael's College, University of Toronto, Canada.
• Organizer and presider for the MOISA panel titled "Music and the Divine" for the 56th Paper Session on Saturday, January 5, 2019, at the 150th Annual Meeting of the Society of Classical Studies in San Diego, CA.
• "What Brought the Walls of Jericho Down?" for the MOISA panel on January 5, 2018, at the 149th Annual Meeting of the Society of Classical Studies in Boston, MA.
• "Christian Reception of the 'New Music'-Debate: Similarities and Differences in the Musical Criticism of the Church Fathers" on Sunday, July 30, 2017, at the 10th MOISA Meeting at Jesus College, Oxford, UK.
• "Sounds that Get You Moving: Philosophical and Psychological Considerations on Music and the Emotions" on September 8, 2016, at the International Theological Institute (ITI) in Trumau, Austria.
• "Is the Idea of 'Musical Emotion' Present in Antiquity?" for the MOISA panel on January 7, 2016, at the 147th Annual Meeting of the Society of Classical Studies in San Francisco, CA.